Whilst some may charge less than £200pd it may be a false economy. Hiring freelance crew shouldn’t be about comparing camera technology – it is more about selecting the right crew.
#Freelance cameraman professional
“If you think it’s expensive to hire a professional to do your job, wait until you hire an amateur” This depends! Wet hire rates can range from £350pd upto £1000pd depending on the level of experience of the freelance cameraman and the sophistication of the equipment supplied.
Wet hire also includes video production equipment. What does Wet hire or Dry Hire mean?ĭry Hire is where you hire a freelancer without kit. Dry hire freelance cameraman rates range from £200 per day to £500 per day. GNARBOX 2.A cameraman can charge by the day or for the project, if the scope is sufficiently briefed.
#Freelance cameraman pro
Teradek Serv Pro (Connectivity for 10 Devices)Ģx Quasar Science Q-LED 4ft 240v 50w Crossfade 2000-6000KĪccessories: Diffusion, CTB, CTO on roll, Clamps, Grips, Reflectors and lots of sandbags! Tiffen Variable ND Rotating Multi-tray 4×5.65
Lens Clamp Backplates – 80/95/110/114/143mmīright Tangerine Misfit Atom Ultra-Lightweight Matte boxįormatt-Hitech Firecrest Ultra ND filters Sony FX6 (1x 160GB CFast, 1x 128 SDHC Cards)Ģx 4×5.65 filter trays, 1x 4×4 filter tray I am also a member of BECTU (The Broadcasting, Entertainment, Cinematograph and Theatre Union) & GTC (Guild of Television Cameramen)
#Freelance cameraman full
I have a full clean driving license, £2 million public liability insurance and enhanced CRB checked and cleared. In a nutshell, I am reliable, trustworthy and punctual. I am a happy chap and I would say I’m pretty fun to work with my clients will attest to that and aside from the great work I produce, I feel this is what keeps them coming back. This allows me to focus on the work I am creating without being distracted by the technical aspects. My knowledge of a vast range of equipment means using my kit is second nature. This makes me very efficient on set and a highly competent shooter.
I am unique in my field in that I have an excellent grasp of the entire production process from understanding what the producer’s role entails, to what is needed from a camera operator. I eventually decided that it was about time I stopped playing with toys and got a proper job, and so I decided to specialise in camera and jib work.Įxtensive experience of working in different locations means I am adaptable – whether it be in a studio or the great plains of Africa. The majority of which have been broadcast on numerous TV channels around the world. I spent the next 8 years filming and producing international advertising campaigns and promos for their products. A couple of years later my company was purchased and integrated into a global toy business. Based in Birmingham, I work all over the UK and internationally.Īfter gaining my honours degree in Film Production Technology, I went on to set up my own video production company at the age of 22. I’m a sociable guy who enjoys seeing new places and meeting new people.
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